Tanja Ostojic

Drew Nikonowicz

Popel Coumou

Build #1 from the series Book Buildings

Katja Mater

Maarten van Schaik

06.09.2004

Jasper Wiedeman

Matthew Brandt

Gert Jan Kocken

From the series Inner Journey

Marvel Harris

Rayon Vert

By photographing the female body in unexpected ways and playing with the balance of power within a portrait, Simond cleverly disrupts established codes of looking.

Foam Magazine #52 Talent

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Senta Simond

Anton Shebetko

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Bieke Deporteer

Bieke Depoorter

Rahime Fortune

Brothers after wake from the series I can’t stand to see you cry

City Finance from the series I can’t stand to see you cry

Father from the series I can’t stand to see you cry

I can’t stand to see you cry

Rahim Fortune

Projection, from the series Countours

Mark Dorf

Bananal, 2016

Alice Quaresma

Folder #1 from the series Building Images, 2010

Isabelle Wenzel

Mariage á Loèche-les-Bains (Marriage in Leukerbad), from the series Ekaterina, 2012-16

exhibitions

artworks in the collection

Romain Mader’s Ekatarina is notable for the humour and irony with which he addresses serious issues: solitude, love, exploitation and the female body. In this Chinese box of a project, each layer opens to reveal a new interpretive possibility. What is real here, and what is fiction? In the invented Ukrainian town of Ekaterina, mysteriously populated only by women, Mader - or the character he plays - looks for love.

Valentine’s day in London #1, from the series Ekaterina, 2016 

Winner Foam Paul Huf Award 2017

Romain Mader

Sharon Tate Bedside Table 1969, from the series Untitled, Collaborative Work, 2014-2015

Matthew Leifheit & Cynthia Talmadge

Current Study #3, 2013

events

Sjoerd Knibbeler

Detail day 8 from All year round

Detail day 8 from the All year round project

Ola Lanko

Myriam Boulos

From the series Tell The Trees To Smile

Tell the Trees to Smile

Documenting the emotions of broken people, buildings and objects, Tell the Trees to Smile is a series of portraits of friends and strangers from all walks of life who have collectively been affected by the blast and ongoing economic problems in Beirut. Entering into dialogue with her subjects, Boulos captions the images with their words, which represent their responses to the blast. These responses greatly differ - some people look directly into the camera, and some resume activities which range from prayer to protest, each signalling their own postures of strength, shock and solidarity.

artists